How to Choose a Good Violin

this guide will teach you how to choose a good violin

Choosing a violin can be confusing, especially when you are buying your first instrument. Prices can range from a few hundred dollars to many thousands, and descriptions such as factory-made, semi-handmade, fully handmade, workshop violin and individual-maker violin are not always used consistently.

So what actually makes a violin good?

For a beginner, a good violin does not need to be extremely expensive. It should be properly sized, comfortable to play, professionally set up, stable in tuning and responsive enough that the student can clearly hear the result of what they are doing with the bow and left hand.

A violin that fights against the player can make an already challenging instrument unnecessarily frustrating. A good instrument should allow the student to concentrate on learning technique rather than constantly struggling with tuning, response or an uncomfortable setup.

Why a Decent Violin Is Important When Learning

Learning violin already requires the student to develop bow control, accurate finger placement, intonation, rhythm, posture and coordination between two hands performing very different jobs.

The instrument should support that process rather than introduce additional problems.

A violin that is difficult to tune, poorly adjusted or unresponsive under the bow can make it harder for a beginner to understand whether a poor sound is coming from their technique or from the instrument itself.

A Better Violin Gives the Student Better Feedback

This does not mean that buying an expensive violin automatically makes someone a better player.

Technique still comes from learning and practice.

What a better instrument can provide is clearer feedback. When the student changes bow speed, pressure, contact point or finger placement, a responsive violin makes those differences easier to hear.

That becomes increasingly important as a student begins working on tone quality, dynamics, phrasing and musical expression.

Students who want to understand these skills in more detail can also read our guide to the fundamentals of violin technique.

Playability Matters as Much as Sound

A violin can sound attractive but still be uncomfortable to play if the setup is poor.

For a student instrument, important areas include:

  • bridge fit and position;
  • appropriate string height;
  • nut height and shaping;
  • smooth and functional pegs;
  • correct soundpost positioning;
  • fingerboard condition;
  • strings;
  • and overall structural condition.

A well-made violin still needs a good setup. Likewise, adjusting a very basic instrument can improve its playability, but setup alone cannot give every violin the same tonal potential or responsiveness.

Violin Price and Craftsmanship Explained

One problem with violin shopping is that terms such as “semi-handmade” and “handmade” are not universal grading standards. Different workshops and sellers may use them differently.

The table below reflects the practical categories we use when discussing instruments at LVL rather than claiming that every violin shop follows exactly the same classifications.

Violin Type Typical LVL Price Position Craftsmanship What to Expect
Factory-Made Violin Generally the lowest price tier Primarily mass-produced using factory processes Quality varies considerably. Setup and playability need to be checked carefully.
Semi-Handmade Violin From around S$380+ A combination of workshop production and hand finishing or assembly, depending on the instrument Can provide an entry point for beginners, although refinement, response and tonal potential vary between models.
Fully Handmade Workshop Violin From around S$795+ Fully handmade within a violin-making workshop, but not necessarily attributed to one individually named maker Generally provides greater refinement and room for tonal development. This is the category LVL recommends serious beginners consider where budget allows.
Individual-Maker Violin Typically S$6,000+ Made by an identified individual violin maker or directly attributed to that maker Chosen for its individual craftsmanship, sound, response and maker. Each instrument should be assessed on its own qualities.

Price alone does not determine whether a violin is right for you. Two violins at the same price can sound and respond very differently, which is why trying the actual instrument remains important.

Country of origin should not be treated as a tone-quality rating either. Labels such as Chinese, Czech, German, Romanian or European do not by themselves tell you how good a violin will sound. The quality of the materials, construction, workmanship, setup and the individual instrument matter more.

What Violin Do We Recommend for Beginners?

There is an understandable temptation to buy the cheapest possible violin when someone is just starting. The reasoning is usually: “We don’t know whether they will continue, so why spend more now?”

That makes sense financially, but there is another side to consider. If the instrument is difficult to play or produces an unpleasant and unresponsive sound, it can make the learning experience less enjoyable from the beginning.

At LVL, we therefore prefer to recommend that committed beginners start with a properly made, professionally set-up fully handmade violin where the budget allows.

Our three main starting points are JV03, JV05 and LVLCH15. They provide different levels of refinement and budget while keeping the student within the fully handmade category.

Jviolins JV03, JV05 and LVLCH15 handmade violins for beginner players

Jviolins JV03 Handmade Violin

The Jviolins JV03 Handmade Violin is our starting point for students who want to begin with a fully handmade instrument rather than an entry-level semi-handmade violin.

It provides a sensible foundation for beginners and developing players who want an instrument with more room for tonal and technical development.

Jviolins JV05 Handmade Violin

The Jviolins JV05 Handmade Violin sits above the JV03 and is worth comparing for families or adult beginners who want to start with a more refined handmade instrument.

For a student who is likely to continue learning seriously, beginning at this level can provide additional room for development before another upgrade becomes necessary.

Jviolins LVLCH15 Handmade Violin

The Jviolins LVLCH15 provides another step up and is particularly useful because it is available across the size range for both children and adults.

This means a younger student does not necessarily need to wait until reaching a full-size 4/4 violin before playing a higher-level handmade instrument. Families who want a more refined violin from the beginning can consider the LVLCH15 in the appropriate size for the child.

Adult beginners can also start with the full-size LVLCH15 if they want an instrument above the JV03 and JV05 level from the outset.

The correct choice between JV03, JV05 and LVLCH15 should not be made from price or specifications alone. Where possible, we recommend comparing the actual instruments and choosing the violin whose sound, response and playing feel suit the student best.

You can browse the current LVL violin collection in Singapore to compare beginner, handmade, advanced, individual-maker and antique instruments.

1. Choose the Correct Violin Size

Before considering tone, varnish or price, make sure the violin fits the player.

This is especially important for children because violins are available in fractional sizes such as:

  • 1/16;
  • 1/8;
  • 1/4;
  • 1/2;
  • 3/4;
  • and 4/4 full size.

The correct size should be determined by the player’s physical measurements and comfort, not simply by age.

Do not deliberately buy a violin that is too large because you expect a child to grow into it. An oversized instrument can make correct posture, left-hand positioning and bowing unnecessarily difficult.

At LVL, children can be measured before purchasing so that they start on an appropriate size. If you would like an initial recommendation before visiting us, use our violin size finder — simply measure the arm length from the base of the neck to the centre of the palm and the guide will recommend a suitable violin size.

What Happens When My Child Grows?

Needing another violin size later does not mean children should automatically rent their instrument.

Child violin size progression from fractional violin to full-size violin

Many LVL students purchase their violins and move to larger sizes as they grow. Families can also ask us about trade-in options when upgrading to a bigger violin size.

This means you can choose an instrument that properly fits your child now rather than buying an oversized violin simply because they may need another size later.

The upgrade can also be an opportunity to move to a better instrument rather than simply buying the same level of violin in a larger size.

Once a developing student reaches the appropriate size and level, families may begin comparing more advanced instruments such as LVLEH20 and, at full size, LVLEH35, alongside other higher-level workshop, antique and individual-maker violins.

This creates a more useful long-term approach: upgrade the size when the child grows, and upgrade the quality when their playing is ready for it.

A young player may also move into a suitable antique violin instead of another new workshop instrument. The right choice depends on the individual violin, the student’s size, playing level, tonal preference and budget.

2. Make Sure the Violin Is Professionally Set Up

This is one of the most important and most overlooked parts of buying a violin.

A violin does not become ready to play simply because all of its parts have been assembled.

The bridge, soundpost, pegs, nut, fingerboard, strings and other components need to work together correctly.

Why Setup Matters

A poor setup can create problems such as:

  • strings that are unnecessarily difficult to press;
  • pegs that slip or are difficult to turn;
  • uneven response between strings;
  • buzzing or unwanted noises;
  • difficulty producing a clean sound;
  • and an instrument that feels harder to control than it should.

This is why a properly set-up instrument from a violin specialist can be very different from a violin that simply arrives directly from a box.

LVL has an in-house luthier workshop for violin setup, adjustment, repair, restoration and ongoing maintenance.

3. Listen for Sound and Response

There is no single violin tone that everybody should prefer.

Some players prefer a warmer and darker sound. Others enjoy more brilliance, clarity or projection.

For a beginner, however, there are some useful general questions to ask:

  • Does the violin produce a clear sound without excessive effort?
  • Do all four strings respond reasonably evenly?
  • Does the sound feel open or restricted?
  • Can you play softly as well as more strongly?
  • Does the instrument respond when you change bow speed or pressure?
  • Do you actually enjoy listening to it under your ear?

A student who enjoys the sound of their violin has another reason to take it out of the case and practise.

This matters more than buying an instrument solely because somebody has described it as “professional”, “European” or “premium”.

4. Consider Craftsmanship, Not Just Appearance

A beautiful varnish does not automatically mean a violin is a good instrument.

Visual workmanship is still worth examining, but it needs to be considered together with playability and sound.

Look at areas such as:

  • overall symmetry;
  • purfling and edge work;
  • scroll workmanship;
  • varnish application;
  • bridge fitting;
  • peg fitting;
  • the condition of the fingerboard;
  • and whether there are cracks, open seams or previous repairs.

With antique instruments in particular, previous repair work and structural condition can be just as important as appearance.

5. Set a Realistic Budget

Instead of asking, “What is the cheapest violin I can buy?”, a better question is:

“What is the best playable and responsive instrument available within the amount I am comfortable spending?”

For someone who simply wants to experiment with violin for a short period, a lower-cost instrument or rental arrangement may be enough.

For a student who intends to take regular lessons and continue learning, spending more on a properly made violin can reduce the need for an early upgrade.

At LVL, our current recommendation for committed beginners is to compare fully handmade instruments beginning with the JV03, JV05 and LVLCH15, then move upwards according to budget, sound preference and the student’s needs.

That does not mean everyone needs the most expensive violin they can afford. There is little value in buying a S$10,000 violin simply because it costs more if a considerably lower-priced instrument already gives the student the response and sound they need at their current stage.

6. Try More Than One Violin Before Choosing

Violins are individual instruments. Even two handmade violins from the same model or workshop can have differences in sound and response.

If possible, compare several instruments rather than choosing from specifications alone.

Play the same passage, scale or open strings on each violin. This makes comparison easier because you are changing the instrument rather than the music.

Listen both close to the violin and, if possible, from a short distance while another player or teacher plays it.

If you are inexperienced, it can also be useful to involve your teacher or a violin specialist in the decision. The Strad’s expert guidance on choosing a student’s violin similarly recommends trying several instruments, comparing them carefully and getting input from experienced players or teachers before deciding.

At LVL, students and customers can try different violins in our shop and compare them before making a decision.

How to Choose a Good Violin for a Child

For children, we would prioritise these factors in this order:

  1. Correct size – the violin must fit the child now.
  2. Playability – the child should not have to fight unnecessarily against the instrument.
  3. Professional setup – bridge, strings, pegs and action should be properly adjusted.
  4. Sound and response – choose an instrument that gives the student useful feedback and a sound they enjoy.
  5. Budget and upgrade path – think about how the instrument can serve the child as they progress.

Do not choose a poor-quality violin purely because a child will eventually grow into another size.

It is better for them to learn on an instrument that fits properly now and then upgrade when necessary. LVL’s trade-in options can help families move through larger violin sizes as children grow.

Families who want to begin with a stronger instrument can compare the JV03, JV05 and LVLCH15. The LVLCH15 is particularly useful for younger students because it is available across the size range rather than being restricted to adult full-size players.

As the child becomes more advanced, an upgrade does not have to mean simply moving to the next numbered model. Higher-level workshop violins and suitable antique instruments can both become worthwhile options depending on the player’s sound preference and stage of development.

How to Choose a Starter Violin for Adults

Most adult beginners will use a full-size 4/4 violin.

Because sizing is usually simpler, adults can concentrate more heavily on sound, playability and budget.

An adult beginner who knows they intend to continue learning may benefit from starting with a better-quality handmade violin rather than buying a very basic instrument and replacing it soon afterwards.

The JV03, JV05 and LVLCH15 are therefore useful starting points to compare at different budgets and levels of refinement.

They are not the only possibilities. Some adults may immediately prefer an instrument from a higher LVL range or an antique violin.

The right choice depends on the player rather than simply their grade or how long they have been learning.

Semi-Handmade vs Fully Handmade Violins

The distinction can be confusing because there is no single international rule governing how every shop uses these terms.

Semi-Handmade Violins

A semi-handmade violin generally combines workshop or machine-assisted production with stages that are completed or finished by hand.

These instruments can provide a more affordable entry point, but there can be a wide range of quality within the category.

At LVL, this category begins at around the S$380 level.

Fully Handmade Workshop Violins

A fully handmade workshop violin is constructed by hand within a violin-making workshop but should not automatically be confused with a violin made and signed by one individually recognised maker.

At LVL, the fully handmade category currently begins with the JV03 from S$795.

The JV05 and LVLCH15 provide further steps within this handmade workshop category before moving into significantly higher-priced advanced or individual-maker instruments.

This is the category we prefer committed beginners to consider because it provides greater room for tonal and technical development without immediately moving into individual-maker pricing.

What Is an Individual-Maker Violin?

A violin can be fully handmade without being an individual-maker violin.

A handmade workshop model such as the JV03, JV05 or LVLCH15 belongs to a completely different category from an instrument individually made by an identified luthier.

At LVL, individual-maker instruments would normally begin from approximately S$6,000 and above, with prices increasing according to the maker, craftsmanship, individual instrument, provenance and market demand.

At this level, buying based only on a model name or specification list makes even less sense. The individual violin needs to be played and assessed.

Individual-maker violins are not automatically the next required step for every developing student. A strong higher-level workshop violin or a suitable antique violin may be a better match depending on the player’s requirements.

Should You Consider an Antique Violin?

Yes. A good antique violin can be an excellent choice for both children and adults, and it should not be viewed as something reserved only for professional musicians.

Older violins can offer a very different character from new workshop instruments. A well-preserved and properly restored antique may have an individual voice, response and personality that appeals to a player immediately.

However, antique does not automatically mean better. The age written on a label is far less important than the quality, condition, restoration, setup and actual sound of the individual instrument.

Antique violin compared with a new handmade violin

Antique Violins Can Be Excellent for Young Players Too

Parents sometimes assume antique violins are only available as expensive full-size instruments for adults or advanced players. That is not necessarily the case.

Older and antique violins can also be found in fractional sizes such as 1/2 and 3/4, which can make them an interesting option for developing children.

For the right student, a suitable antique violin can provide a responsive instrument with plenty of individual character while they continue developing their technique.

The same fitting rule still applies: the violin must be the correct size for the child. We would never recommend choosing an oversized antique simply because the instrument itself is attractive or historically interesting.

Why Players Are Drawn to Antique Violins

Every antique violin is different, but players may be attracted to them for reasons such as:

  • an individual tonal character that differs from a new workshop violin;
  • a distinctive response and playing feel;
  • natural variation in colour, texture and varnish from age and use;
  • traditional craftsmanship;
  • the history and personality of an individual instrument;
  • and the opportunity to own a violin that is genuinely unique rather than another example of the same model.

These qualities should still come second to the most important question: does the violin actually work well for the player?

Condition Matters More Than Age

An antique violin should be assessed very differently from simply buying something because it is old.

Before choosing one, important areas to examine include:

  • structural condition;
  • old cracks and how they were repaired;
  • open or previously repaired seams;
  • neck angle and neck condition;
  • fingerboard condition;
  • bridge and soundpost setup;
  • peg function;
  • previous restoration work;
  • authenticity of any maker or workshop attribution;
  • and the violin’s actual tone, response and playability.

A violin that is 100 years old but structurally compromised or poorly restored is not automatically a better purchase than a well-made new violin.

Conversely, a carefully restored antique with good structural integrity and a responsive sound can be a very rewarding instrument.

Antique Violin or New Handmade Violin?

Neither is automatically the better choice.

A new handmade violin can offer clean condition and a clear progression through workshop instruments such as JV03, JV05, LVLCH15 and higher LVL ranges.

An antique violin gives the player the opportunity to choose an individual instrument with its own history, response and tonal personality.

For some children and adults, a modern handmade violin will feel immediately right. Another player may compare it with an older violin and strongly prefer the antique.

This is why we encourage customers moving into better violins to compare the actual instruments rather than decide in advance that they must buy either new or antique.

Antique Violins for Developing Students

An antique violin can also form part of a student’s normal upgrade path.

For example, a child might begin on a properly sized handmade student violin, move through fractional sizes as they grow and later discover that a suitable 3/4 or full-size antique violin is a better match than another new workshop instrument.

An adult may similarly begin with a JV03, JV05 or LVLCH15 and later compare higher LVL workshop instruments, individual-maker violins and antiques before deciding what suits their playing best.

The progression does not need to follow a rigid model sequence. As the player improves, the most important consideration becomes finding a violin whose response, tonal character and playing feel suit that individual musician.

Antique Violins at LVL

LVL works with both modern handmade and antique violins, including instruments that require professional inspection, restoration and setup through our in-house luthier workshop.

Our selection can include full-size antique violins as well as occasional fractional-size instruments suitable for younger players. Because every antique violin is an individual piece, availability changes as instruments are sold and new instruments enter the collection.

You can browse the current LVL violin collection to compare new handmade, higher-level workshop and antique violins.

Should You Buy a Violin Online?

You can buy a violin online, particularly when purchasing from a specialist shop that checks and sets up the instrument before delivery.

However, when you are moving into better handmade, advanced, antique or individual-maker violins, trying the instrument becomes increasingly valuable.

Photographs can show appearance. Specifications can describe construction. Neither can tell you exactly how an individual violin will feel and sound in your hands.

If you are unsure what to choose, visit the shop or ask for guidance rather than relying only on the product description.

Violin Buying Checklist

Before buying, check the following:

  • Size: Is the violin correctly fitted to the player?
  • Setup: Has the violin been professionally adjusted?
  • Pegs: Do they turn smoothly and hold tuning?
  • Bridge: Is it correctly fitted and positioned?
  • String height: Is the violin comfortable to finger?
  • Response: Does the violin speak easily under the bow?
  • Balance: Are the four strings reasonably balanced?
  • Tone: Do you actually like the sound?
  • Condition: Are there cracks, open seams or previous repairs that need attention?
  • Craftsmanship: Does the quality match the price category?
  • Support: Can the shop help with future adjustments, repairs or upgrades?

Frequently Asked Questions About Choosing a Violin

What is a good violin for a beginner?

A good beginner violin should be correctly sized, professionally set up, comfortable to play, reasonably stable in tuning and responsive enough for the student to hear changes in their technique. At LVL, we generally recommend committed beginners compare fully handmade models such as JV03, JV05 and LVLCH15 where budget allows.

How do I know what violin size my child needs?

Violin size should be based on the player’s measurements rather than age alone. You can use our online violin size finder for an initial recommendation by measuring from the base of the neck to the centre of the palm. For the final choice, we still recommend checking the fit in person where possible.

Which LVL violins do you recommend for beginners?

Our main fully handmade starting options are the JV03, JV05 and LVLCH15. The JV03 provides the entry point into the fully handmade range, the JV05 offers a further step in refinement, and the LVLCH15 is an option for families or adults wanting to begin at a higher level. The LVLCH15 is available in sizes suitable for both children and adults.

How much should I spend on my first violin?

There is no single amount that suits every player. At LVL, semi-handmade instruments begin at around S$380, while our fully handmade category begins from around S$795. We generally recommend the latter category for students who intend to continue learning and want more room for development.

Is a S$795 violin really handmade?

Yes. A violin can be fully handmade within a workshop without being an individually made, named-maker instrument. These are different categories. At LVL, the JV03 is a fully handmade workshop violin starting at S$795, while individual-maker violins generally begin at a substantially higher level.

How much does an individual-maker violin cost?

At LVL, individual-maker violins would typically begin from around S$6,000 and can rise considerably depending on the maker and individual instrument.

Is a more expensive violin always better?

No. Price can reflect better materials, greater craftsmanship, maker reputation and other factors, but the instrument still needs to suit the player. A lower-priced violin that responds naturally to you may be a better choice than a more expensive violin whose sound or playing characteristics you do not like.

Should a beginner buy a cheap violin first?

Not necessarily. If you are unsure whether you will continue at all, rental or a lower-cost instrument can reduce the initial commitment. However, students who intend to learn seriously may benefit from starting with a better-quality violin rather than purchasing a very basic instrument and upgrading almost immediately.

Should children rent because they are still growing?

No. Children can buy a correctly sized violin and upgrade as they grow. At LVL, many young students own their violins, and families can ask about trade-in options when moving to a larger size. The upgrade can also be used to move into a higher-level instrument as the student’s playing develops.

Can a child play an antique violin?

Yes. Antique and older violins can sometimes be found in fractional sizes such as 1/2 and 3/4 as well as full size. The instrument should still fit the child correctly and be assessed for structural condition, setup, response and sound before purchase.

Are antique violins better than new violins?

Not automatically. A good antique violin can have a distinctive individual character, while a well-made modern violin can provide excellent response and reliability. The better choice is the individual instrument that suits the player.

Does violin setup really make a difference?

Yes. Bridge fit and position, string height, nut adjustment, pegs, soundpost position, strings and fingerboard condition all affect how comfortably and reliably an instrument plays. A good violin that is badly set up may perform well below its potential.

Is a handmade violin better than a factory-made violin?

Not automatically in every possible comparison, but better handmade instruments generally allow much greater attention to construction, adjustment and individual characteristics. The actual violin should still be judged by its playability, response, workmanship and sound.

Should I choose a violin based on where it was made?

No. Country of origin alone does not determine quality. A violin should be assessed on its actual materials, workmanship, setup, condition, response and sound rather than simply whether its label says Chinese, European, German, Czech or another origin.

Should I buy a new or antique violin?

Either can be an excellent choice. A good antique violin needs to be structurally sound or properly restored, while a well-made modern violin can provide excellent response and reliability. Compare the actual instruments rather than choosing purely according to age.

Choose the Violin That Helps You Develop

The purpose of buying a violin is not to own the most expensive instrument or the one with the most impressive description.

It is to find an instrument that allows you to develop.

For beginners, that means prioritising correct sizing, professional setup, comfortable playability and a responsive sound. For more experienced players, tone colour, projection, dynamic range and individual character become increasingly important.

At LVL, committed beginners can start by comparing fully handmade instruments such as the Jviolins JV03, Jviolins JV05 and LVLCH15.

The LVLCH15 also gives younger students a higher-level option without having to wait until they reach a full-size violin.

As their playing develops, students can then compare higher-level instruments such as LVLEH20 and LVLEH35, suitable antique violins and, where appropriate, individual-maker instruments.

The progression does not need to be rigid. A developing student may prefer a higher workshop model, while another may find that a carefully selected antique violin suits them far better.

Visit the LVL violin shop in Singapore to compare instruments or speak with our team if you need help choosing the right size, craftsmanship level, antique violin or upgrade path for your playing.

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Alan Senejani, co-founder and in-house luthier at LVL Music Academy Singapore
About the Author

Alan Senejani

Alan is the co-founder, marketing director and in-house luthier at LVL Music Academy. With a background in mechanical engineering, violin making, restoration and digital strategy, he writes about string instruments, music learning, repairs and choosing the right setup for students and musicians.

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